Sanctuary Page 6
“I never meant—” Van said.
“Dont say it, then,” Goodwin said.
Gowan said something. That durn feller, Tommy thought. Cant even talk no more.
“Shut up, you,” Goodwin said.
“Think talk bout my—” Gowan said. He moved, swayed against the chair. It fell over. Gowan blundered into the wall.
“By God, I’ll—” Van said.
“—ginia gentleman; I dont give a—” Gowan said. Goodwin flung him aside with a backhanded blow of his arm, and grasped Van. Gowan fell against the wall.
“When I say sit down, I mean it,” Goodwin said.
After that they were quiet for a while. Goodwin returned to his chair. They began to talk again, passing the jug, and Tommy listened. But soon he began to think about Temple again. He would feel his feet scouring on the floor and his whole body writhing in an acute discomfort. “They ought to let that gal alone,” he whispered to Goodwin. “They ought to quit pesterin her.”
“It’s none of your business,” Goodwin said. “Let every damned one of them.……”
“They ought to quit pesterin her.”
Popeye came out the door. He lit a cigarette. Tommy watched his face flare out between his hands, his cheeks sucking; he followed with his eyes the small comet of the match into the weeds. Him too, he said. Two of em; his body writhing slowly. Pore little crittur. I be dawg ef I aint a mind to go down to the barn and stay there, I be dawg ef I aint. He rose, his feet making no sound on the porch. He stepped down into the path and went around the house. There was a light in the window there. Dont nobody never use in there, he said, stopping, then he said, That’s where she’ll be stayin, and he went to the window and looked in. The sash was down. Across a missing pane a sheet of rusted tin was nailed.
Temple was sitting on the bed, her legs tucked under her, erect, her hands lying in her lap, her hat tilted on the back of her head. She looked quite small, her very attitude an outrage to muscle and tissue of more than seventeen and more compatible with eight or ten, her elbows close to her sides, her face turned toward the door against which a chair was wedged. There was nothing in the room save the bed, with its faded patchwork quilt, and the chair. The walls had been plastered once, but the plaster had cracked and fallen in places, exposing the lathing and molded shreds of cloth. On the wall hung a raincoat and a khaki-covered canteen.
Temple’s head began to move. It turned slowly, as if she were following the passage of someone beyond the wall. It turned on to an excruciating degree, though no other muscle moved, like one of those papier-mâché Easter toys filled with candy, and became motionless in that reverted position. Then it turned back, slowly, as though pacing invisible feet beyond the wall, back to the chair against the door and became motionless there for a moment. Then she faced forward and Tommy watched her take a tiny watch from the top of her stocking and look at it. With the watch in her hand she lifted her head and looked directly at him, her eyes calm and empty as two holes. After a while she looked down at the watch again and returned it to her stocking.
She rose from the bed and removed her coat and stood motionless, arrowlike in her scant dress, her head bent, her hands clasped before her. She sat on the bed again. She sat with her legs close together, her head bent. She raised her head and looked about the room. Tommy could hear the voices from the dark porch. They rose again, then sank to the steady murmur.
Temple sprang to her feet. She unfastened her dress, her arms arched thin and high, her shadow anticking her movements. In a single motion she was out of it, crouching a little, match-thin in her scant undergarments. Her head emerged facing the chair against the door. She hurled the dress away, her hand reaching for the coat. She scrabbled it up and swept it about her, pawing at the sleeves. Then, the coat clutched to her breast, she whirled and looked straight into Tommy’s eyes and whirled and ran and flung herself upon the chair. “Durn them fellers,” Tommy whispered, “durn them fellers.” He could hear them on the front porch and his body began again to writhe slowly in an acute unhappiness. “Durn them fellers.”
When he looked into the room again Temple was moving toward him, holding the coat about her. She took the raincoat from the nail and put it on over her own coat and fastened it. She lifted the canteen down and returned to the bed. She laid the canteen on the bed and picked her dress up from the floor and brushed it with her hand and folded it carefully and laid it on the bed. Then she turned back the quilt, exposing the mattress. There was no linen, no pillow, and when she touched the mattress it gave forth a faint dry whisper of shucks.
She removed her slippers and set them on the bed and got in beneath the quilt. Tommy could hear the mattress crackle. She didn’t lie down at once. She sat upright, quite still, the hat tilted rakishly upon the back of her head. Then she moved the canteen, the dress and the slippers beside her head and drew the raincoat about her legs and lay down, drawing the quilt up, then she sat up and removed the hat and shook her hair out and laid the hat with the other garments and prepared to lie down again. Again she paused. She opened the raincoat and produced a compact from somewhere and, watching her motions in the tiny mirror, she spread and fluffed her hair with her fingers and powdered her face and replaced the compact and looked at the watch again and fastened the raincoat. She moved the garments one by one under the quilt and lay down and drew the quilt to her chin. The voices had got quiet for a moment and in the silence Tommy could hear a faint, steady chatter of the shucks inside the mattress where Temple lay, her hands crossed on her breast and her legs straight and close and decorous, like an effigy on an ancient tomb.
The voices were still; he had completely forgot them until he heard Goodwin say “Stop it. Stop that!” A chair crashed over; he heard Goodwin’s light thudding feet; the chair clattered along the porch as though it had been kicked aside, and crouching, his elbows out a little in squat, bear-like alertness, Tommy heard dry, light sounds like billiard balls. “Tommy,” Goodwin said.
When necessary he could move with that thick, lightning-like celerity of badgers or coons. He was around the house and on the porch in time to see Gowan slam into the wall and slump along it and plunge full length off the porch into the weeds, and Popeye in the door, his head thrust forward. “Grab him there!” Goodwin said. Tommy sprang upon Popeye in a sidling rush.
“I got—hah!” he said as Popeye slashed savagely at his face; “you would, would you? Hole up hyer.”
Popeye ceased. “Jesus Christ. You let them sit around here all night, swilling that goddam stuff; I told you. Jesus Christ.”
Goodwin and Van were a single shadow, locked and hushed and furious. “Let go!” Van shouted. “I’ll kill—” Tommy sprang to them. They jammed Van against the wall and held him motionless.
“Got him?” Goodwin said.
“Yeuh. I got him. Hole up hyer. You done whupped him.”
“By God, I’ll—”
“Now, now; whut you want to kill him fer? You caint eat him, kin you? You want Mr Popeye to start guttin us all with that ere artermatic?”
Then it was over, gone like a furious gust of black wind, leaving a peaceful vacuum in which they moved quietly about, lifting Gowan out of the weeds with low-spoken, amicable directions to one another. They carried him into the hall, where the woman stood, and to the door of the room where Temple was.
“She’s locked it,” Van said. He struck the door, high. “Open the door,” he shouted. “We’re bringing you a customer.”
“Hush,” Goodwin said. “There’s no lock on it. Push it.”
“Sure,” Van said; “I’ll push it.” He kicked it. The chair buckled and sprang into the room. Van banged the door open and they entered, carrying Gowan’s legs. Van kicked the chair across the room. Then he saw Temple standing in the corner behind the bed. His hair was broken about his face, long as a girl’s. He flung it back with a toss of his head. His chin was bloody and he deliberately spat blood onto the floor.
“Go on,” Goodwin said, carrying
Gowan’s shoulders, “put him on the bed.” They swung Gowan onto the bed. His bloody head lolled over the edge. Van jerked him over and slammed him into the mattress. He groaned, lifting his hand. Van struck him across the face with his palm.
“Lie still, you—”
“Let be,” Goodwin said. He caught Van’s hand. For an instant they glared at one another.
“I said, Let be,” Goodwin said. “Get out of here.”
“Got proteck.……” Gowan muttered “.…girl. ’Ginia gem.……gemman got proteck.……”
“Get out of here, now,” Goodwin said.
The woman stood in the door beside Tommy, her back against the door frame. Beneath a cheap coat her nightdress dropped to her feet.
Van lifted Temple’s dress from the bed. “Van,” Goodwin said. “I said get out.”
“I heard you,” Van said. He shook the dress out. Then he looked at Temple in the corner, her arms crossed, her hands clutching her shoulders. Goodwin moved toward Van. He dropped the dress and went around the bed. Popeye came in the door, a cigarette in his fingers. Beside the woman Tommy drew his breath hissing through his ragged teeth.
He saw Van take hold of the raincoat upon Temple’s breast and rip it open. Then Goodwin sprang between them; he saw Van duck, whirling, and Temple fumbling at the torn raincoat. Van and Goodwin were now in the middle of the floor, swinging at one another, then he was watching Popeye walking toward Temple. With the corner of his eye he saw Van lying on the floor and Goodwin standing over him, stooped a little, watching Popeye’s back.
“Popeye,” Goodwin said. Popeye went on, the cigarette trailing back over his shoulder, his head turned a little as though he were not looking where he was going, the cigarette slanted as though his mouth were somewhere under the turn of his jaw. “Dont touch her,” Goodwin said.
Popeye stopped before Temple, his face turned a little aside. His right hand lay in his coat pocket. Beneath the raincoat on Temple’s breast Tommy could see the movement of the other hand, communicating a shadow of movement to the coat.
“Take your hand away,” Goodwin said. “Move it.”
Popeye moved his hand. He turned, his hands in his coat pockets, looking at Goodwin. He crossed the room, watching Goodwin. Then he turned his back on him and went out the door.
“Here, Tommy,” Goodwin said quietly, “grab hold of this.” They lifted Van and carried him out. The woman stepped aside. She leaned against the wall, holding her coat together. Across the room Temple stood crouched into the corner, fumbling at the torn raincoat. Gowan began to snore.
Goodwin returned. “You’d better go back to bed,” he said. The woman didn’t move. He put his hand on her shoulder. “Ruby.”
“While you finish the trick Van started and you wouldn’t let him finish? You poor fool. You poor fool.”
“Come on, now,” he said, his hand on her shoulder. “Go back to bed.”
“But dont come back. Dont bother to come back. I wont be there. You owe me nothing. Dont think you do.”
Goodwin took her wrists and drew them steadily apart. Slowly and steadily he carried her hands around behind her and held them in one of his. With the other hand he opened the coat. The nightdress was of faded pink crepe, lace-trimmed, laundered and laundered until, like the garment on the wire, the lace was a fibrous mass.
“Hah,” he said. “Dressed for company.”
“Whose fault is it if this is the only one I have? Whose fault is it? Not mine. I’ve given them away to nigger maids after one night. But do you think any nigger would take this and not laugh in my face?”
He let the coat fall to. He released her hands and she drew the coat together. With his hand on her shoulder he began to push her toward the door. “Go on,” he said. Her shoulder gave. It alone moved, her body turning on her hips, her face reverted, watching him. “Go on,” he said. But her torso alone turned, her hips and head still touching the wall. He turned and crossed the room and went swiftly around the bed and caught Temple by the front of the raincoat with one hand. He began to shake her. Holding her up by the gathered wad of coat he shook her, her small body clattering soundlessly inside the loose garment, her shoulders and thighs thumping against the wall. “You little fool!” he said. “You little fool!” Her eyes were quite wide, almost black, the lamplight on her face and two tiny reflections of his face in her pupils like peas in two inkwells.
He released her. She began to sink to the floor, the raincoat rustling about her. He caught her up and began to shake her again, looking over his shoulder at the woman. “Get the lamp,” he said. The woman did not move. Her head was bent a little; she appeared to muse upon them. Goodwin swept his other arm under Temple’s knees. She felt herself swooping, then she was lying on the bed beside Gowan, on her back, jouncing to the dying chatter of the shucks. She watched him cross the room and lift the lamp from the mantel. The woman had turned her head, following him also, her face sharpening out of the approaching lamp in profile. “Go on,” he said. She turned, her face turning into shadow, the lamp now on her back and on his hand on her shoulder. His shadow blotted the room completely; his arm in silhouette backreaching, drew to the door. Gowan snored, each respiration choking to a huddle fall, as though he would never breathe again.
Tommy was outside the door, in the hall.
“They gone down to the truck yet?” Goodwin said.
“Not yit,” Tommy said.
“Better go and see about it,” Goodwin said. They went on. Tommy watched them enter another door. Then he went to the kitchen, silent on his bare feet, his neck craned a little with listening. In the kitchen Popeye sat, straddling a chair, smoking. Van stood at the table, before a fragment of mirror, combing his hair with a pocket comb. Upon the table lay a damp, bloodstained cloth and a burning cigarette. Tommy squatted outside the door, in the darkness.
He was there when Goodwin came out with the raincoat. Goodwin entered the kitchen without seeing him. “Where’s Tommy?” he said. Tommy heard Popeye say something, then Goodwin emerged with Van following him, the raincoat on his arm now. “Come on, now,” Goodwin said. “Let’s get that stuff out of here.”
Tommy’s pale eyes began to glow faintly, like those of a cat. The woman could see them in the darkness when he crept into the room after Popeye, and while Popeye stood over the bed where Temple lay. They glowed suddenly out of the darkness at her, then they went away and she could hear him breathing beside her; again they glowed up at her with a quality furious and questioning and sad and went away again and he crept behind Popeye from the room.
He saw Popeye return to the kitchen, but he did not follow at once. He stopped at the hall door and squatted there. His body began to writhe again in shocked indecision, his bare feet whispering on the floor with a faint, rocking movement as he swayed from side to side, his hands wringing slowly against his flanks. And Lee too, he said, And Lee too. Durn them fellers. Durn them fellers. Twice he stole along the porch until he could see the shadow of Popeye’s hat on the kitchen floor, then returned to the hall and the door beyond which Temple lay and where Gowan snored. The third time he smelled Popeye’s cigarette. Ef he’ll jest keep that up, he said. And Lee too, he said, rocking from side to side in a dull, excruciating agony, And Lee too.
When Goodwin came up the slope and onto the back porch Tommy was squatting just outside the door again. “What in hell—” Goodwin said. “Why didn’t you come on? I’ve been looking for you for ten minutes.” He glared at Tommy, then he looked into the kitchen. “You ready?” he said. Popeye came to the door. Goodwin looked at Tommy again. “What have you been doing?”
Popeye looked at Tommy. Tommy stood now, rubbing his instep with the other foot, looking at Popeye.
“What’re you doing here?” Popeye said.
“Aint doin nothin,” Tommy said.
“Are you following me around?”
“I aint trailin nobody,” Tommy said sullenly.
“Well, dont, then,” Popeye said.
“Come o
n,” Goodwin said. “Van’s waiting.” They went on. Tommy followed them. Once he looked back at the house, then he shambled on behind them. From time to time he would feel that acute surge go over him, like his blood was too hot all of a sudden, dying away into that warm unhappy feeling that fiddle music gave him. Durn them fellers, he whispered, Durn them fellers.
9
The room was dark. The woman stood inside the door, against the wall, in the cheap coat, the lace-trimmed crepe nightgown, just inside the lockless door. She could hear Gowan snoring in the bed, and the other men moving about, on the porch and in the hall and in the kitchen, talking, their voices indistinguishable through the door. After a while they got quiet. Then she could hear nothing at all save Gowan as he choked and snored and moaned through his battered nose and face.
She heard the door open. The man came in, without trying to be silent. He entered, passing within a foot of her. She knew it was Goodwin before he spoke. He went to the bed. “I want the raincoat,” he said. “Sit up and take it off.” The woman could hear the shucks in the mattress as Temple sat up and Goodwin took the raincoat off of her. He returned across the floor and went out.
She stood just inside the door. She could tell all of them by the way they breathed. Then, without having heard, felt, the door open, she began to smell something: the brilliantine which Popeye used on his hair. She did not see Popeye at all when he entered and passed her; she did not know he had entered yet; she was waiting for him; until Tommy entered, following Popeye. Tommy crept into the room, also soundless; she would have been no more aware of his entrance than of Popeye’s, if it hadn’t been for his eyes. They glowed, breast-high, with a profound interrogation, then they disappeared and the woman could then feel him, squatting beside her; she knew that he too was looking toward the bed over which Popeye stood in the darkness, upon which Temple and Gowan lay, with Gowan snoring and choking and snoring. The woman stood just inside the door.